Imagine, for example, what would happen if the government decided to commission someone to write an official Great American Novel. First there’d be a huge ideological squabble over who to choose. Most of the best writers would be excluded for having offended one side or the other. Of the remainder, the smart ones would refuse such a job, leaving only a few with the wrong sort of ambition. The committee would choose one at the height of his career—that is, someone whose best work was behind him—and hand over the project with copious free advice about how the book should show in positive terms the strength and diversity of the American people, etc, etc.
The unfortunate writer would then sit down to work with a huge weight of expectation on his shoulders. Not wanting to blow such a public commission, he’d play it safe. This book had better command respect, and the way to ensure that would be to make it a tragedy. Audiences have to be enticed to laugh, but if you kill people they feel obliged to take you seriously. As everyone knows, America plus tragedy equals the Civil War, so that’s what it would have to be about. Better stick to the standard cartoon version that the Civil War was about slavery; people would be confused otherwise; plus you can show a lot of strength and diversity. When finally completed twelve years later, the book would be a 900-page pastiche of existing popular novels—roughly Gone with the Wind plus Roots. But its bulk and celebrity would make it a bestseller for a few months, until blown out of the water by a talk-show host’s autobiography. The book would be made into a movie and thereupon forgotten, except by the more waspish sort of reviewers, among whom it would be a byword for bogusness like Milli Vanilli or Battlefield Earth.
Maybe I got a little carried away with this example. And yet is this not at each point the way such a project would play out? The government knows better than to get into the novel business, but in other fields where they have a natural monopoly, like nuclear waste dumps, aircraft carriers, and regime change, you’d find plenty of projects isomorphic to this one—and indeed, plenty that were less successful.
| Author | Paul Graham |
| Work | The Power of the Marginal |